Category Archives: Horror

31 days of Halloween Music. Day Six: A Tomb for Two

A few weeks ago, The Ongoing History of New Music podcast aired an episode about bent bands from the 1980s. By “bent”, the host meant bands that “just seemed a little off”. The list included King Missile, Ween, Camper Van Beethoven, Mojo Nixon, The Bloodhound Gang, and The Dead Milkmen (although I would argue that much more bent bands, such as The Sun City Girls and We’ve Got A Fuzzbox And We’re Gonna Use It!!! existed at the same time).

If you we’re to concoct a list of current bent bands, that list had dam well better include Lebanon Hanover, that band that has provided us with entry number six “Gallowdance”.

Prepare yourselves for exquisitely awkward dance moves and ducks!

There really needs to be a new Halloween tradition wherein people bob for slices of bread while that song plays loudly in the background.

See you tomorrow.

31 Days of Halloween Music. Day Five: Make Your Neighbors Fear You


Remember those Halloween sound effects cassettes and records from when you were a kid? I loved those things. Probably because my family would often blast them on random days thought the year just to keep our neighbors on their toes. To be fair, the only other form of audio entertainment we possessed was a CCR 8-track.

My desire to reconnect with noises that can lower the property values in a 15 mile radius brings us to entry number five on our list: Heilung’s live performance of “Alfadhirhaiti”. This song seems to exist for the sole purpose of convincing the Neighborhood Watch that a werewolf walks among them.

See you tomorrow.

31 Days of Halloween Music. Day Four: A Certain Kind of Atmosphere

My favorite horror move has always been 1963’s “The Haunting” (although “Hereditary” is running a close second). To people who were raised on Freddy, Pinhead, or Chucky, The Haunting might seem to be very dull as the film is 100% free of jump scares. But this is why I love it. The makers of The Haunting understood that true horror is created by a tense, unnerving atmosphere. That’s why the “Give him the camera” scene in “Ordinary People” is much more frightening than anything in “Friday the 13th”. It’s something the people behind the people behind the 1999 remake of The Haunting (people totally undeserving of love) never understood. And that’s Liam Neeson and I have never spoken (that and the fact we’ve never met…and if we did, I’d most likely be VERY polite to him as he has a certain set of skill which include being able to beat the shit out me).

Much like a good horror movie, a song doesn’t need to be loaded with monsters and murder to be scary. It just needs the right atmosphere. Which brings us to our fourth entry – Echo and the Bunnymen with “The Killing Moon”. Nobody gets decapitated; no ghostly lovers haunt their former paramours, yet this song remains one of the creepiest tunes ever recorded. So much so that, years after its release, “The Killing Moon” would inspiration the creation of Donnie Darko.

“I’d mentioned somewhere that The Killing Moon was about pre-destiny, and he wrote the whole fuckin’ film about it. Cheeky bastard! He gave us this pittance one-off fee for the use of the song, saying it was just a little indie film, but forgot to mention that Drew Barrymore was behind it, who had more money than Howard Hughes. Great as it is, he should at least have given us a credit for the idea.”
– Ian McCulloch

See you tomorrow.

31 Days of Halloween Music. Day Three: A Zombie Love Song

There are only three holidays which involve candy and a possible encounter with someone in a bunny costume: Halloween, Easter, and Valentine’s Day. Of the three of these, only one stirs up images of flesh-eating, blood-drinking corpses rising from their graves.

Maybe it’s because Vienna & I were married in the middle of the month, but Halloween will always be the real Valentine’s Day for me. And it should be for you as well. Just take a minute to think off all the great love stories which revolve around Halloween. There’s The Bride of Frankenstein, The Phantom of the Opera. and hundreds of slasher flicks in which camp councilors total get it on before being impaled by a rototiller.

In the recognition of the amorous side of Halloween, I give you today’s song – “Corpses (A Zombie Love Song)” by those gleeful purveyors of romantic ballads God Module.

Oh, and here’s 40 goddamn minutes of Halloween commercials from the 70’s & 80’s because that’s the way Crazy Eddie would’ve wanted it.

See you tomorrow.

31 Days of Halloween Music. Day Two: The Numb Stalker.

There’s a good chance that, at some point this month, you, having grown tired of smashing your neighbors’ pumpkins, will find yourself consumed with an eerie wanderlust and a strong desire to smash the pumpkins of complete strangers. At this point, you will make plans to depart depart upon a spooky road trip.

It might be drive down New Jersey’s highly overrated Clinton Road, or Buck’s County’s genuinely creepy Crossart Road, or the elusive search for each of the Seven Gates of Hell (I’ve only ever managed to rack up a trip to the one in Downingtown, PA). For those of us, here in Stocksbridge, a quick jaunt down the A616 will do the trick.

And while you won’t encounter any ghosts (for the same reason you won’t encounter any leprechauns), you are very likely to encounter something far more frightening in the form of drunken teenagers, meth-fueled rednecks, dickheaded ghost hunters, or a combination of all three.

I can’t talk you out of your creepy road trip, but I can give you some advice: take along some appropriately creepy music. And by “appropriately creepy music”, I mean all seven minutes and eleven seconds of Numb’s “Stalker”.

This is some of the straight-up spookiest music you could possible hope to fill your ears with while cruising down a dark country road.After all, the gawddamn song is called STALKER, for Christ’s sake! And it’ll be the perfect score to your inevitable dismemberment by a coven of toothless Norwegian Black Metal enthusiasts who are pitching a “paranormal encounters” show to the Travel Channel.

Have fun and it was nice knowing you.

31 Days of Halloween Music. Day One: “No More Nightmares” by Dead When I Found Her

It’s October! I’m hoping you knew that already, but – in case you don’t own one of those calendar thingies that all of the kids seem to be agog about these days – it’s October!. Last October, on Facebook, I recommend a different horror movie every day for the entire month. Then Facebook sold our data to Nazi pricks Steve Bannon and Bob Mercer, so screw them and the shitty cartoon frog they road in on. Anyhooooo, this year I’ll be using this very site which you are currently gazing upon to provide a different Halloween-appropriate song every gawddamn day from now until November (October’s less popular kid brother).

And, boy howdy, let me tell you fer sure by gum that this will not be your typical parade of Halloween-themed songs either. Every year some lazy music critic tells you to go listen to “The Monster Mash”, a randomly chosen & certifiably crappy Rob Zombie tune, and the Ramones'”Pet Sematary”. Then they turn that shit over to an editor at Slate who adds a few Beyonce songs to the list because…well…Slate. This happens EVERY DAMN YEAR!

So, just to show you that I’m on the level, here’s our first track. It’s the perfectly creepy “No More Nightmares” by Dead When I Found Her off of their brilliant 2012 “Rag Doll Blues” album. Damn. 2012 was a great year for music. Dim the lights and enjoy! I’ll be back tomorrow with another disturbing song.

THE PLAYLIST FOR THE MAY 2018 EDITION OF RATYHTL (THE RADIO SHOW)

TeufelskreisDie Robo Sapiens
This Is Gonna Hurt [Explicit]Synapsyche
The TruthStoppenberg
Dots, Circles and Lines (Rob Dust Big Beatz Remix)Lederman / De Meyer
Satanic Aesthetic (Mr.Kitty Remix)Angelspit
Here We Are Again! (1992)Forma Tadre
Who Do You Love? (Barbacue Remix For Claus & Kurt)Birmingham 6
It Only Takes a Minute (Radio Mix)Tavares
Bite Down HardStreet Sects
New Jersey Devil [Explicit]Ho99o9
Time’s Up [Explicit]3TEETH & HO99O9
There Will Be BloodX-RX
Whites of Your Eyes Dancing Plague
Seven Nation ArmyObscenity Trial
Wolves at the DoorAvarice in Audio
Fucked (I Found Heaven) [Explicit]Hide
UnwillingLana Del Rabies
Soylent [Explicit]Wire Spine
The New DayProject Pitchfork
Hexxxed [Explicit]Strvngers
Community CollapseCardinal Noire
Dancing in the MoonlightKing Harvest
Back to PsychoburbiaDarkness on Demand
HollowAshbury Heights
Heavy HandsAnimal Bodies
Snow and JoyNull Device

I Just Wanna Give You The Creeps: Home

There’s no need to be confused! Go here and read the preface to the first experiment.

Experiment Three: Home
Since the first two experiments resulted in very few actual scares (I should admit that neither Vienna nor I frighten easily. So, if you’re the type of person who has nightmares after re-runs of Friends, your results for this experiments will differ greatly from ours)  I decided to fall back on something that I remembered as being scary as Hell – A 1996 episode of The X-Files called “Home“.

xfiles1
For many people, Vienna & myself included, Friday night in the early to mid-90’s was synonymous  with the X-Files. No matter what was going on in your life, come 9 PM, you stopped whatever you were doing and watched the X-Files. If your home burned to the ground at 8:30 in the evening, killing your entire family, by 9 PM you were sitting on your neighbor’s sofa listening to the show’s  intro music. That’s just how we all rolled back in the 90’s, folks.

Looking back,  The X-Files was not a really great show. Don’t get me wrong, it wasn’t bad; it’s just that the few episodes I’ve stumbled upon in the past couple of years didn’t hold up very well. I guess the real reason that we were all glued to our TV on Friday night at 9 PM was because the X-Files, for all of its flaws, was at least better than all of the shit that was on TV in the early 90’s. And when I say “shit”, I’m being kind. I could devote thirty paragraphs to hurling insults at televised feces like Home Improvement or Everybody Loves Raymond. The fact is that TV in the early 90’s just plain sucked.

touched_by

Maybe that’s why “Home” had such an impact on me when I first watched it. This might be hard for people who’ve come of age in the era of American Horror Story to grasp, but “Home” was like nothing that had ever appeared on TV previously.

If you’ve never seen the episode (it’s available on Netflix), you’ll be impressed by home much black humor and mind-blowing what-the-fuck-isms the writers managed to cram into just the opening 15 minutes alone. Yes, that dead baby sure does get around!

Unfortunately, the producers of the X-Files didn’t dig all of the dead baby humor; they felt that the episode “had gone too far”, and Fox  banned it from ever being re-aired on their network. Yes, the very same network that would later give us The Littlest Groom.

For a piece of horror to be really effective it has to contain That Scene. A scene so scary that you never forget it. It’s the one scene your mind instantly goes to when you think of the piece. In The Haunting, That Scene is the one wherein Eleanor thinks she’s holding Theodora’s hand, but…well, you know. Here’s That Scene in “Home“. It does for “Wonderful, Wonderful” what A Clockwork Orange did for “Singing in the Rain” and what The Littlest Groom did for Humanity.

So, now it’s time to apply our highly scientific scoring method to the episode.

Vienna gave “Home” 5 Barnabi and 8 Ormsbys. I gave it 6 Barnabi (That “Wonderful, Wonderful” part is the stuff of nightmares) and a whopping 9 Ormsbys for a final total of:
xfiles2

I’m going to leave you with one disturbing bit of trivia about “Home“.  Writer Glen Morgan ‘s inspiration for the episode came, partially,  from an incident which Charlie Chaplin documented in his autobiography.  A young Chaplin had been staying at a miner’s house. Following dinner, the miner said he had something to show Charlie. That something was a man with no arms or legs who had been sleeping in the kitchen cupboard.

A half man with no legs, an oversized, blond, flat-shaped head, a sickening white face, a sunken nose, a large mouth and powerful muscular shoulders and arms, crawled from underneath the dresser … “Hey, Gilbert, jump!” said the father and the wretched man lowered himself slowly, then shot up by his arms almost to the height of my head.

“How do you think he’d fit in with a circus? The human frog!”

I was so horrified I could hardly answer. However, I suggested the names of several circuses that he might write to.

Next time: The once mighty nation of Brittan collectively loses its shit.

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I Just Wanna Give You The Creeps: The Landlady

If you’re wondering just what the Hell is going on here, please check out the preface to first installment.

Experiment Two: The Landlady (1979)

Greetings, Gothic Gherkins. Our second  experiment comes to us in the form of an episode of Roald Dahl’s Tales of the Unexpected.

Roald Dahl? The guy who wrote Charlie and the Chocolate Factory? The guy who wrote Fantastic Mr. Fox? The guy who wrote James and the Giant Peach? That Roald Dahl? Children’s author, Roald Dahl? Surely you shit! How scary could Roald Dahl be?

Well, as it turns out, Roald Dahl’s dark side took up most of the real estate in his brain. Old Roald had a penchant for writing dark tales with really twisted surprise endings, in the vein of another famous writer – Saki (AKA H.H. Munro). [If you’ve never read Saki’s “The Open Window”, stop what you’re doing and READ IT NOW. I’ll still be here when you’re done.]

I hope you enjoyed that. And i hope you’ll enjoy this. When you’re done watching it,  see if you agree with our rating…

This was a tough on to rate because I really wanted to like it a lot more than I did. On the positive side, it sets up a nice creepy atmosphere early on and manages to keep it up it throughout the entire episode (and this in an age before Viagra). Unfortunately, you can spot the surprise as it slows down to seven miles an hour  on it’s trip through Dallas.  So I suggest that we applaud it for intention if not execution.

Vienna gave it 2 Barnabi and 5 Ormsbys. She agreed with me that, although it was short on fright, it was long on creepy, leering fun. I thought it was a little scarier than Vienna did (the last few minutes…the corpses!) and concurred on the level of fun, giving The Landlady a score  of 3 Barnabi and 5 Ormsbys.  This gave the episode a final total of…

landlady

 

Next time: Pennsyltucky is for Lovers.

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I Just Wanna Give You The Creeps: Pigeons from Hell

Preface

Hello gherkins,

Here in Philadelphia, there are only two holidays: Halloween and getting’ ready for Halloween. While the average Philadelphian is thinking about Halloween all year long, serious preparation traditionally begins on August 31st: the day on which Mary Ann Nichols, the first of Jack the ripper’s canonical victims, was murdered.

polly

And that’s why I’ve chosen today to launch an experiment called “I Just Wanna Give You The Creeps”. This experiment has one clear, yet highly subjective, goal: To find the most frightening thing ever created to for the sole purpose of being aired on television. The only rule is that it had to have been created for the small screen with the intention of spooking the Bejezuz out of any viewers who might encountered it while channel-surfing. If it was created with theatrical release in mind, but ended up on TV instead, it doesn’t count. Nor do straight-to-video/DVD releases qualify. “Bud Dwyers” are also ruled out as they are generally unplanned events.

“Hey! That’s the guy who signs my welfare checks!” – Dave Blood every time he’d see bud Dwyer on TV.

Now that I had a rule (more like a guideline, really), the next thing I needed was a test subject. I took inspiration from Pierre Curie and enlisted the aid of my wife Vienna. As long as I didn’t accidentally rest my naked forearm on a radium salts-covered desk, we should both be fine and greatly enlightened at the conclusion of the experiment.

The final piece would be a system for evaluation the effectiveness of the material we’d be viewing. After much discussing and a precautionary check of the entire house for radium salts, we settled on a two-fold rating system: 1) Was the material frightening? And 2) Was it entertaining? Fright would be measured using a 1 to 10 Barnabas Collins scale while entertainment value would be determined using a similar scale of  1 to 10 Alan Ormsbys. Each of our scores would be shown separately and then averaged for a final result. For example, the 1955 Halloween episode of “I Love Lucy” in which Ricky Ricardo’s conga drum solo unleashes a voodoo curse which turns Lucy into a ravenous zombie who devours guest star Tennessee Ernie Ford is certainly entertaining, yet it could hardly be considered frightening by today’s standards. Vienna gave it 1 Barnabi and 8 Ormsbys while I gave it 3 Barnabi (that scene where Lucy bites into Fred Mertz’s arm still gets me) and 6 Ormsbys. Therefore its final score ended up being 2 Barnabi and 7 Ormsbys.

the_curse_of_lucy

Experiment One: Pigeons from Hell (1961)

Our fist experiment involved an episode of the Boris Karloff- hosted anthology series “Thriller”. The production was based on a short story by Robert E. Howard who wrote the Conan the Barbarian books and who also, ironically, pulled a Bud Dwyer sans live TV coverage. Here’s the entire episode, if you’d like to partake in the experiment along with us.

So how did Pigeons from Hell hold up under our rigorous standards?  Not very well, unfortunately. Vienna thought that episode was almost completely devoid of scares and that, although it might have made for exciting entertainment fifty-five years  ago – when it originally aired – time had not been kind to Mr. Howard’s pigeons.

Vienna gave Pigeons from Hell 2 Barnabi and 2 Ormsbys

I, in turn , agreed with with Vienna that the episode was about as frightening as a installment of “Tiny House Nation“, but I derived twice as much entertainment from it. Maybe I’m just a sucker for Southern Gothic, but what I really liked was the way the screenwriter managed to cram so much strangeness and taboo subject manner (by 1961 standards) into fifty minutes of television. Bravo, you twisted radium salts-sniffing bastard!

My score for the show was 2 Barnabi and 4 Ormsbys, giving Pigeons from Hell a final total of…

pigeons_from_hell

Next time, we’ll check in with an episode of Tales of the Unexpected…which you are now totally expecting. And please contact us with any suggestions for TV shows you’d like us to check out.

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